Sharpen your editing craft to tell more enticing stories with award-winning video artist Flick Harrison!
This multi-day workshop is designed for students who want to advance beyond the basics and become more skilled in telling their stories. Each session explores editing theory through hands-on studio practice, allowing you to discover the nuanced relation between sound and image. Learn how various traditions, dominant styles, or popular forms inform how you might edit a scene; how multiple shots of the same scene can be pieced together for different effect; how editing conventions vary across formats and genres, including:
Using Final Cut Pro X as a guide, you will learn how to create a workflow for your projects; apply proper cuts, transitions, and effects; and choose delivery options. Hands-on camera exercises will deepen your understanding of how to shoot with editing in mind–a vital piece of the creative puzzle. Some time will be spent exploring sound mixing (though check out the upcoming VIVO workshop entirely devoted just sound mixing). Through group discussion and analysis of examples, you’ll explore different editing styles and techniques as you develop your own.
Session Dates:
Tue, Oct 16, 2018 - 6pm—9pm
Sat, Mar 24, 2018 - 1pm—4pm
VIVO is located in the homelands of the xʷməθkʷəy̓əm (Musqueam) Sḵwx̱wú7mesh (Squamish), and səl̓ílwətaɬ (Tsleil-Waututh) peoples in a warehouse space at 2625 Kaslo Street south of East Broadway at the end of E 10th. Transit line 9 stops at Kaslo Street on Broadway. From the bus stop, the path is paved, curbless, and on a slight decline. The closest skytrain station is Renfrew Station, which is three blocks south-east of VIVO and has an elevator. From there, the path is paved, curbless, and on a slight incline. There is parking available at VIVO, including wheelchair access parking. There is a bike rack at the entrance. The front entrance leads indoors to a set of 7 stairs to the lobby.
A wheelchair ramp is located at the west side of the main entrance. The ramp has two runs: the first run is 20 feet long, and the second run is 26 feet. The ramp is 60 inches wide. The slope is 1:12. The ramp itself is concrete and has handrails on both sides. There is an outward swinging door (34 inch width) at the top of the ramp leading to a vestibule. A second outward swinging door (33 inch width) opens into the exhibition space. Buzzers and intercoms are located at both doors to notify staff during regular office hours or events to unlock the doors. Once unlocked, visitors can use automatic operators to open the doors.
There are two all-gender washrooms. One has a stall and is not wheelchair accessible. The other is a single room with a urinal and is wheelchair accessible: the door is 33 inches wide and inward swinging, without automation. The toilet has 11 inch clearance on the left side and a handrail.
To reach the bathrooms from the studio, exit through the double doors and proceed straight through the lobby and down the hall . Turn left, and the two bathrooms will be on your right side. The closest one has a stall and is not wheelchair accessible. The far bathroom is accessible.
Flick Harrison is a writer, media artist, filmmaker, hacker and drone pilot in Vancouver. “I’ve explored boundaries of all kinds in media, politics, education and the arts for over twenty years. As an artist, I explode the aesthetics of political conflict; as an educator, I try to make media flow organically from the social. My ambition is to lead, support and challenge non-profits, schools, community groups and other progressive actors to improve their understanding and use of media, all while having fun."