This episode plunders the out-takes of daily pre-rolls and final day wrap-up with the assistance of Jessica Karuhanga and Michelle Lacombe the fabulous bloggers aka the eyes & ears of the 7a*11d performance festival.
VERB FRAU TV Season 5: The 7a*11d Festival of Performance Art (2016) was created by the following artists:
Technical Assistance and Camera: Golboo Amani
Second Camera: Manolo Lugo, Sarah Sheard
Editing: Moira Simpson, Sarah Sheard, Jade Chen, Margaret Dragu
Theme Song: “Return of the Lemming Shepherds”
Exzel Music Publishing (freemusicpublicdomain.com)
Licensed under Creative Commons:
By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/
Extro Music: Sarah Sheard
7a*11d Collective
DWI (Dragu Worker International)
VIVO
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VERB FRAU TV Season 5: The 7a*11d Festival of Performance Art (2016) was created by the following artists:
Technical Assistance and Camera: Golboo Amani
Second Camera: Manolo Lugo, Sarah Sheard
Editing: Moira Simpson, Sarah Sheard, Jade Chen, Margaret Dragu
Theme Song: “Return of the Lemming Shepherds”
Exzel Music Publishing (freemusicpublicdomain.com)
Licensed under Creative Commons:
By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/
Extro Music: Sarah Sheard
7a*11d Collective
DWI (Dragu Worker International)
VIVO
VIVO is located in the homelands of the xʷməθkʷəy̓əm (Musqueam) Sḵwx̱wú7mesh (Squamish), and səl̓ílwətaɬ (Tsleil-Waututh) peoples in a warehouse space at 2625 Kaslo Street south of East Broadway at the end of E 10th. Transit line 9 stops at Kaslo Street on Broadway. From the bus stop, the path is paved, curbless, and on a slight decline. The closest skytrain station is Renfrew Station, which is three blocks south-east of VIVO and has an elevator. From there, the path is paved, curbless, and on a slight incline. There is parking available at VIVO, including wheelchair access parking. There is a bike rack at the entrance. The front entrance leads indoors to a set of 7 stairs to the lobby.
A wheelchair ramp is located at the west side of the main entrance. The ramp has two runs: the first run is 20 feet long, and the second run is 26 feet. The ramp is 60 inches wide. The slope is 1:12. The ramp itself is concrete and has handrails on both sides. There is an outward swinging door (34 inch width) at the top of the ramp leading to a vestibule. A second outward swinging door (33 inch width) opens into the exhibition space. Buzzers and intercoms are located at both doors to notify staff during regular office hours or events to unlock the doors. Once unlocked, visitors can use automatic operators to open the doors.
There are two all-gender washrooms. One has a stall and is not wheelchair accessible. The other is a single room with a urinal and is wheelchair accessible: the door is 33 inches wide and inward swinging, without automation. The toilet has 11 inch clearance on the left side and a handrail.
To reach the bathrooms from the studio, exit through the double doors and proceed straight through the lobby and down the hall . Turn left, and the two bathrooms will be on your right side. The closest one has a stall and is not wheelchair accessible. The far bathroom is accessible.
Jessica Karuhanga is a first-generation Canadian artist of British-Ugandan heritage whose work addresses issues of cultural politics of identity and Black diasporic concerns through lens-based technologies, writing, drawing and performances. Through her practice she explores individual and collective concerns of Black subjectivity: illness, rage, grief, desire and longing within the context of Black embodiment.
She was the 2020 - 2021 recipient of Concordia University's SpokenWeb Artist/Curator In Residence Fellowship. Karuhanga has presented her work at the Robert McLaughlin Gallery (2021), SummerWorks Lab (Toronto, 2020), The Bentway (Toronto, 2019), Nuit Blanche (Toronto, 2018), Onsite Gallery (Toronto, 2018) and Goldsmiths University (London, UK, 2017). Karuhanga's writing has been published by C Magazine, BlackFlash, Susan Hobbs Gallery and Fonderie Darling.
Michelle Lacombe lives and works in Montreal. Since obtaining her BFA from Concordia University in 2006 she has developed a unique body-based practice that is located at the intersection of visual arts and performance. Her work has been shown in Canada, the USA, and Europe in the context of performance events, exhibitions, and colloquiums. She is the recipient of the 2015 Bourse Plein Sud and exhibited her work in the 2017 edition of Art Encounters Contemporary Art Biennial.
Her practice as an artist is paralleled by a commitment to supporting action art and other undisciplined practices. She is currently the director of VIVA! Art Action.
Margaret Dragu aka Verb Woman, aka Lady Justice, is a renowned interdisciplinary performance artist living and working in Vancouver. She returns to NSL&G to present material from her ongoing How To Be Old How To Guide series, taking on thoughts and issues to do with aging, culture and society. 3 videos will be screened: Get Devices, Get Rolling and Get Group-y.