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Salomé Voegelin
Listening to Noise and Silence
with adjacent sounds, and writings by
Peter Culley and Maxine Gadd
7:00pm @ Western Front
Free / Refreshments!
Join us at the Western Front for the latest Text to Speech media reading group to read excerpts from Salomé Voegelin’s book, Listening to Noise and Silence: Towards a Philosophy of Sound Art. In the effort to apply Voegelin’s proposal for a philosophy of sound art and practice of listening as proposed in her text, we’ll also be tuning in to a selection of sound works that appear in her first chapter “Listening,” and turning our attention to writings by poets Peter Culley and Maxine Gadd.
This edition of Text to Speech is presented by Western Front’s current artist-in-residence Elisa Ferrari as part of her ongoing sound-based research and performance project lilithlithlithlithlithlith...
Focused on writing about media, media art and the surrounding concepts and frameworks of the mediated world, Text to Speech gatherings aim to build stronger community ties and knowledge in our field. In this reading group, participants will be provided with copies of the reading, and we will facilitate a group reading, discussion, and analysis of this text. Prior knowledge of the work is encouraged but not required, as the session will involve some form of introduction, and some portion of close reading (out loud).
Image Caption:
Maxine Gadd, excerpt of “Loon” from Subway Under Byzantium, notation by Peter Culley
VIVO is located in the homelands of the xʷməθkʷəy̓əm (Musqueam) Sḵwx̱wú7mesh (Squamish), and səl̓ílwətaɬ (Tsleil-Waututh) peoples in a warehouse space at 2625 Kaslo Street south of East Broadway at the end of E 10th. Transit line 9 stops at Kaslo Street on Broadway. From the bus stop, the path is paved, curbless, and on a slight decline. The closest skytrain station is Renfrew Station, which is three blocks south-east of VIVO and has an elevator. From there, the path is paved, curbless, and on a slight incline. There is parking available at VIVO, including wheelchair access parking. There is a bike rack at the entrance. The front entrance leads indoors to a set of 7 stairs to the lobby.
A wheelchair ramp is located at the west side of the main entrance. The ramp has two runs: the first run is 20 feet long, and the second run is 26 feet. The ramp is 60 inches wide. The slope is 1:12. The ramp itself is concrete and has handrails on both sides. There is an outward swinging door (34 inch width) at the top of the ramp leading to a vestibule. A second outward swinging door (33 inch width) opens into the exhibition space. Buzzers and intercoms are located at both doors to notify staff during regular office hours or events to unlock the doors. Once unlocked, visitors can use automatic operators to open the doors.
There are two all-gender washrooms. One has a stall and is not wheelchair accessible. The other is a single room with a urinal and is wheelchair accessible: the door is 33 inches wide and inward swinging, without automation. The toilet has 11 inch clearance on the left side and a handrail.
To reach the bathrooms from the studio, exit through the double doors and proceed straight through the lobby and down the hall . Turn left, and the two bathrooms will be on your right side. The closest one has a stall and is not wheelchair accessible. The far bathroom is accessible.
Elisa Ferrari is an artist and curator, and holds a BFA (University of Architecture of Venice) and a MAA (ECUAD). She works with text, image, and sound. To consider acts and implications of retrieval, she produces projects that manifest as installations, sound walks, artist books, and performance; often addressing or incorporating archival fragments. She is part of – – / dashes, a sound performance collaboration with John Brennan. She is currently collaborating with Stacey Ho on a book of graphic scores for deep listening and sound making.
