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VIVO Media Arts presents
Paal Nilssen-Love & Ken Vandermark
Meredith Bates and Stefan Smulovitz
JP Carter + John Brennan
Sept 9
Doors at 8:30, Show at 9:30
Advance tickets $10 on Eventbrite, $15 at the door
Thanks to Coastal Jazz for their support
“The high impact duo of Paal Nilssen-Love (drums) and Ken Vandermark (reeds) has been working together at an accelerated rate since 2002, and they have put out seven albums of exceptional and wide ranging improvised music since then. Though they have both worked in many critically acclaimed groups- from the Peter Brötzmann Chicago Tentet, Lean Left (with Terrie Hessels and Andy Moor of The Ex) to Double Tandem (with Dutch saxophonist, Ab Baars)- they have continued to return to their duo for more than a dozen years because it remains crucial to their creative output.
Nilssen-Love and Vandermark began this collaboration when they recorded their initial album,Dual Pleasure, for the label smalltownsupersound. Shortly afterward, they performed their first concert at the Molde International Jazz Festival. Since then, they’ve performed on an international basis every year- in Europe, North America, and Japan. Their approach to the duo context is ferocious in its intensity, combining extreme rhythmic velocity with formal deconstruction and re-assembly, and a freedom to use any genre at anytime. In many ways, Nilssen-Love and Vandermark are more open this setting than in any of their other playing situations, creating a unique approach to improvised music that is riveting for both its ideas and execution.
In September of 2015 their duo will hit the road in the United States, performing in the Midwest and on the West Coast to celebrate the release of their eighth album, a co-production from their labels: PNL Records and Audiographic Records, recorded live during a blistering performance in Antwerp during their European tour of October, 2013. ” – Billions.com
“For the past eleven years, Meredith has been pursuing a career as a freelance violinist and violist, experienced in a wide variety of musical genres, from classical music to jazz, and encompassing many folk idioms. She has been performing and recording extensively with a number of ensembles, some of which include Pugs and Crows, the Kamloops Symphony, Ford Pier and Strength of Materials String Quartet, Gentle Party, C.R. Avery and the Legal Tender String Quartet, Sean Cronin’s Very Good, the Prince George Symphony, Sound Circus, and Dixie’s Death Pool. Meredith has also performed and recorded in the past with musicians such as Annie Lou, Joseph Blood, The Vancouver Island Symphony, The Luscious, The Contemporary Lovers, The Shannon Scott Quintet, The Vancouver Metropolitan Orchestra, Dyad, Mark Berube, The Fugitives, Debra Jean and The Means, Rodney Decroo, Rae Spoon, and Ivan Coyote, to name a few.” –meredithbates.com
*SITE ACCESSIBILITY AND CONDITIONS
Our new venue will be refurbished for wheelchair access, but not before this event. There are five steps past the entrance door (each is a foot deep and seven inches high, with hand rails to the left and right). There are two undesignated, one-stall bathrooms (one with a urinal). Please contact us if other information is required and we will update this notice accordingly.
info@vivomediaarts.com | 604 872 8337
VIVO is located in the homelands of the xʷməθkʷəy̓əm (Musqueam) Sḵwx̱wú7mesh (Squamish), and səl̓ílwətaɬ (Tsleil-Waututh) peoples in a warehouse space at 2625 Kaslo Street south of East Broadway at the end of E 10th. Transit line 9 stops at Kaslo Street on Broadway. From the bus stop, the path is paved, curbless, and on a slight decline. The closest skytrain station is Renfrew Station, which is three blocks south-east of VIVO and has an elevator. From there, the path is paved, curbless, and on a slight incline. There is parking available at VIVO, including wheelchair access parking. There is a bike rack at the entrance. The front entrance leads indoors to a set of 7 stairs to the lobby.
A wheelchair ramp is located at the west side of the main entrance. The ramp has two runs: the first run is 20 feet long, and the second run is 26 feet. The ramp is 60 inches wide. The slope is 1:12. The ramp itself is concrete and has handrails on both sides. There is an outward swinging door (34 inch width) at the top of the ramp leading to a vestibule. A second outward swinging door (33 inch width) opens into the exhibition space. Buzzers and intercoms are located at both doors to notify staff during regular office hours or events to unlock the doors. Once unlocked, visitors can use automatic operators to open the doors.
There are two all-gender washrooms. One has a stall and is not wheelchair accessible. The other is a single room with a urinal and is wheelchair accessible: the door is 33 inches wide and inward swinging, without automation. The toilet has 11 inch clearance on the left side and a handrail.
To reach the bathrooms from the studio, exit through the double doors and proceed straight through the lobby and down the hall . Turn left, and the two bathrooms will be on your right side. The closest one has a stall and is not wheelchair accessible. The far bathroom is accessible.
Stefan Smulovitz is a musician (viola & laptop) and an award-winning composer. As a software developer he created Kenaxis, a major innovation in the use of the computer as a real-time instrument. His virtuosic command of Kenaxis has resulted in an international reputation for Smulovitz, who regularly performs with the world’s leading improvisers and composes for ensembles ranging from orchestras to string quartets to solo instruments with electronics. His latest projects include the Mad Scientist Machine and the premier of his score for the Passion of Joan of Arc at the 2010 PuSH festival.
JP Carter is a Juno award-winning trumpet player and composer from Vancouver, BC, with over 28 years of playing experience. Carter’s singular approach to the trumpet and versatility as an improvisor and composer make him a vital contributor to the Vancouver music community. JP incorporates a variety of techniques into his trumpet playing, utilizing and experimenting with acoustic (traditional, extended) and electronic (effected, amplified) methods to create a wide spectrum of sound. Currently a member of several Vancouver-based groups, including Destroyer, Dan Mangan + Blacksmith, Fond of Tigers, Tony Wilson 6tet, Mary Margaret O’Hara & Peggy Lee’s Beautiful Tool, Gordon Grdina’s Haram, Michael Blake’s Variety Hour, and Orkestra Futura (NOW Orchestra), JP’s main projects as a composer/performer continue to be Inhabitants, Aeroplane Trio, and Carsick. These three long-standing original projects have all released albums on Vancouver’s Drip Audio label [dripaudio.com].
John Brennan is a sound artist and drummer living and practicing on the unceded territories of the Musqueam, Squamish and Tsleil-Waututh First Nations. Parallel to his practice as a musician, he produces sound installations that consider the relationship between the sonic memory of musical instruments, performance and improvisation. His band Kamikaze Nurse is currently recording their second full-length album, Stimuloso (2021)Mint Records. Other recent sound projects include: MO-DALE (a duo with Justin Patterson) and Last Lost Time with Gabi Dao and Elisa Ferrari. He curated Destroy Vancouver (2012-2016), a quarterly improvised music and sound art series produced by VIVO Media Arts Centre. He has presented work through Vancouver New Music, Vancouver Coastal Jazz, Western Front (Vancouver), Nanaimo Art Gallery, BEK (Bergen), Landmark (Bergen), No IDea Festival (Austin), Suoni per il Popolo (Montreal) and MUTEK (Montreal).
Other collaborators include Chris Corsano, Raven Chacon, John Dieterich, Katerina Ernst, Jacob Audrey Taves, William Hooker, DJ Olive, Greg Saunier, Marshall Trammell, Nate Wooley, and many more.
