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Intro to Synthesizers for Women*

Curated by 
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Guest Contributors: 
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Tuesday, May 14, 2019
 to 
to
Tuesday, May 21, 2019
6pm
 - 
10pm

Intimidated by all those knobs on your synthesizer? Let recording engineer Victoria Gibson help you get started!

This hands-on introduction is designed for women (cis, trans, and genderqueer) who want to understand how to use synthesizers. It combines theory and practice of audio synthesis. Learn how to connect your equipment and understand signal flow. Make the sounds you’ve been hearing in your head. This workshop will let you approach any synth with confidence because you’ll understand the controls and what they are doing.

Minimum equipment is provided, but you are encouraged to also bring your own synthesizer, headphones, audio equipment, and laptop and software, and learn how to make them work during the workshop. This is what makes this workshop special — Victoria will meet you where you’re at! The focus will be on making meaningful sounds using your own ears and whatever is on hand.

Responding to participants’ needs, the format for this workshop will include a lot of open time for you to ask questions and try your hand at getting your equipment to work, with Victoria providing you assistance.

You’ve fiddled aimlessly for hours, maybe gotten a few interesting sounds by accident. And presets get boring after while. This workshop will empower you to create your own unique sounds!

Bring a USB memory stick or other external storage device if you want to take home any sounds that you might record.

Sign up @ Eventbrite

4 hours total // $40, or $28 with any VIVO Producer Membership (+GST)

Tue May 14, 6pm-10pm

This workshop also takes place on Tue May 21:

https://synth-women-may21.eventbrite.ca

One extended subsidy for this workshop available:
https://forms.gle/sMUySMaxd7y5jwCW9

In partnership with:
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Venue Accessibility

VIVO is located in the homelands of the xʷməθkʷəy̓əm (Musqueam) Sḵwx̱wú7mesh (Squamish), and səl̓ílwətaɬ (Tsleil-Waututh) peoples in a warehouse space at 2625 Kaslo Street south of East Broadway at the end of E 10th. Transit line 9 stops at Kaslo Street on Broadway. From the bus stop, the path is paved, curbless, and on a slight decline. The closest skytrain station is Renfrew Station, which is three blocks south-east of VIVO and has an elevator. From there, the path is paved, curbless, and on a slight incline. There is parking available at VIVO, including wheelchair access parking. There is a bike rack at the entrance. The front entrance leads indoors to a set of 7 stairs to the lobby.

Wheelchair/Walker Access

A wheelchair ramp is located at the west side of the main entrance. The ramp has two runs: the first run is 20 feet long, and the second run is 26 feet. The ramp is 60 inches wide. The slope is 1:12. The ramp itself is concrete and has handrails on both sides. There is an outward swinging door (34 inch width) at the top of the ramp leading to a vestibule. A second outward swinging door (33 inch width) opens into the exhibition space. Buzzers and intercoms are located at both doors to notify staff during regular office hours or events to unlock the doors. Once unlocked, visitors can use automatic operators to open the doors.

Washrooms

There are two all-gender washrooms. One has a stall and is not wheelchair accessible. The other is a single room with a urinal and is wheelchair accessible: the door is 33 inches wide and inward swinging, without automation. The toilet has 11 inch clearance on the left side and a handrail.

To reach the bathrooms from the studio, exit through the double doors and proceed straight through the lobby and down the hall . Turn left, and the two bathrooms will be on your right side. The closest one has a stall and is not wheelchair accessible. The far bathroom is accessible.

About the 
Instructor
Mentor
Artist
(s):

Victoria Gibson is an Integrated Media Artist who blends sound + light + motion to create amazing art experiences. Making magic from advanced techniques to spark curiosity. Involving audiences with interactive technology such as gesture control resulting in complex, experimental works that emerge from the nexus of art and technology, but remain accessible and fun. Gibson holds a BA in Music from the University of British Columbia.

Website
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About the 
Curator(s):
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