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Georgia Straight: Destroy Vancouver Festival Widens Blast Radius
VIVO is located in the homelands of the xʷməθkʷəy̓əm (Musqueam) Sḵwx̱wú7mesh (Squamish), and səl̓ílwətaɬ (Tsleil-Waututh) peoples in a warehouse space at 2625 Kaslo Street south of East Broadway at the end of E 10th. Transit line 9 stops at Kaslo Street on Broadway. From the bus stop, the path is paved, curbless, and on a slight decline. The closest skytrain station is Renfrew Station, which is three blocks south-east of VIVO and has an elevator. From there, the path is paved, curbless, and on a slight incline. There is parking available at VIVO, including wheelchair access parking. There is a bike rack at the entrance. The front entrance leads indoors to a set of 7 stairs to the lobby.
A wheelchair ramp is located at the west side of the main entrance. The ramp has two runs: the first run is 20 feet long, and the second run is 26 feet. The ramp is 60 inches wide. The slope is 1:12. The ramp itself is concrete and has handrails on both sides. There is an outward swinging door (34 inch width) at the top of the ramp leading to a vestibule. A second outward swinging door (33 inch width) opens into the exhibition space. Buzzers and intercoms are located at both doors to notify staff during regular office hours or events to unlock the doors. Once unlocked, visitors can use automatic operators to open the doors.
There are two all-gender washrooms. One has a stall and is not wheelchair accessible. The other is a single room with a urinal and is wheelchair accessible: the door is 33 inches wide and inward swinging, without automation. The toilet has 11 inch clearance on the left side and a handrail.
To reach the bathrooms from the studio, exit through the double doors and proceed straight through the lobby and down the hall . Turn left, and the two bathrooms will be on your right side. The closest one has a stall and is not wheelchair accessible. The far bathroom is accessible.
Botborg is an international audio-visual performance group that fuses and rewires raw electronic signals to create intensely visceral experiences of sound-colour synaesthesia. Using a complex array of custom electronics, Botborg create totally live multi-sensory assaults of interdependent colour and rhythm, pushing the limits of technology to invoke the maximum possible stimulation of their audience’s mind and body. Botborg work with a level of experimentation and improvisation that places them in a territory outside traditional musical or cinematic formats, where the boundaries between art, science, and philosophy mutate until they are rendered meaningless.
This new project from drummer Kevin Romain draws inspiration from the mid 1960s post bop and free jazz movements. Romain is joined by longtime collaborator Domic Conway (We Just Stole A Car, Malleus Trio) on tenor saxophone and Nikko Whitworth (Expain, Big Evil) on 5ths-tuned double bass. Working in dozens of bands in Vancouver and internationally for the past six years, Romain (Sprïng, We Just Stole A Car, Wintermitts) has developed a reputation as a versitile and creative improviser and is excited to debut this aggressive new avant-garde improvising group. Expect fast cymbal beats and gratuitous shred.
Equal parts sonic exploration and performance art, rrkktttss is the electro-acoustic project of Bill John Batt (eschatons, fake jazz, softess, aerosol constellations). Utilizing a selection of semi-working yet mostly dying amplifiers rrkktttss demonstrates the aural interconnectedness of a room through placement, pushing and pulling of attached microphones and sound sculptures in search of satisfying tone. Through a culmination of nervous energy, dedicated listening and body positioning rrkktttss physically displays the sonic capabilities of a given space.
Waters is a solo project encompassing minimal guitar and vocal based pieces. The instruments act as a base for signal and texture, becoming, with process, only remnants and figures of their former selves. Melodies and arrangements fall into a veiled response from tactile measures. A set can be an examination of the guitar as a machine as much as a melodic instrument. Waters is the solo endeavour of Lindsey Hampton. Begun in 2011 it and has taken on a number of different forms, including collaborative pieces, recordings and long format installations. Hampton is a multidisciplinary artist and designer who lives and works in Vancouver, Canada.
Joshua Stevenson, aka Magneticring, is a musician known for his creative use of vintage synthesizers such as the EMS Synthi AKS, custom-programmed FM tone generators, and modified tape effects. Joshua’s unique sound seamlessly blends improvisation with spontaneous composition. He has been a prominent figure in the western Canadian and international underground music scenes for over 30 years. His influences range from Gamelan music and 20th-century experimental music to noise and the underground music community he emerged from in the 1990s.