Featuring:
Wally Shoup (Seattle) with Special Guest
Nurse
Torsten Müller
Sarah Davachi
Rusalka
Sisters of Seance
Colonizer
Poster by Joshua Bastien
DESTROY VANCOUVER is a bi-monthly experimental music series
Curated by drummer/sound artist John Brennan
VIVO is located in the homelands of the xʷməθkʷəy̓əm (Musqueam) Sḵwx̱wú7mesh (Squamish), and səl̓ílwətaɬ (Tsleil-Waututh) peoples in a warehouse space at 2625 Kaslo Street south of East Broadway at the end of E 10th. Transit line 9 stops at Kaslo Street on Broadway. From the bus stop, the path is paved, curbless, and on a slight decline. The closest skytrain station is Renfrew Station, which is three blocks south-east of VIVO and has an elevator. From there, the path is paved, curbless, and on a slight incline. There is parking available at VIVO, including wheelchair access parking. There is a bike rack at the entrance. The front entrance leads indoors to a set of 7 stairs to the lobby.
A wheelchair ramp is located at the west side of the main entrance. The ramp has two runs: the first run is 20 feet long, and the second run is 26 feet. The ramp is 60 inches wide. The slope is 1:12. The ramp itself is concrete and has handrails on both sides. There is an outward swinging door (34 inch width) at the top of the ramp leading to a vestibule. A second outward swinging door (33 inch width) opens into the exhibition space. Buzzers and intercoms are located at both doors to notify staff during regular office hours or events to unlock the doors. Once unlocked, visitors can use automatic operators to open the doors.
There are two all-gender washrooms. One has a stall and is not wheelchair accessible. The other is a single room with a urinal and is wheelchair accessible: the door is 33 inches wide and inward swinging, without automation. The toilet has 11 inch clearance on the left side and a handrail.
To reach the bathrooms from the studio, exit through the double doors and proceed straight through the lobby and down the hall . Turn left, and the two bathrooms will be on your right side. The closest one has a stall and is not wheelchair accessible. The far bathroom is accessible.
Wally Shoup is an American jazz alto saxophonist and painter. Based in Seattle, Washington since 1985, Shoup is a mainstay of that city’s improvised music scene. Seattle Metropolitan named him one of the 50 most influential musicians in that city’s history. He has performed with the such musicians as Thurston Moore, Nels Cline, Chris Corsano among many others.
Nurse is a group that intends to create free improvisational continuum music. NURSE are comprised of two basses, one full of riffs, the other a distorted drone, a ‘haunted’ slide guitar and one constant ‘drone-phase’ guitar, thus providing the continuum. A wash of space synths make this spare dronescape lush. NURSE are based in the rainforest that is Vancouver, BC Canada. NURSE prescribe heady medication.
Torsten Müller is a free improvising bassist in Vancouver. He plays a 5 string double bass and has performed concerts all over the world with a diverse array of improvisers, including Evan Parker, John Russell, Jon Rose, Joelle Léandre, John Zorn, and many others.
Sarah Davachi is engaged in practices of analog and modular synthesis, psychoacoustic manipulations, multi-channel sound diffusion in alternative spaces, and studio composition. Influenced by the lush, electronic tapestries of experimentalist-era synthesist pioneers, her music often exudes the sorts of wandering transformations inherent in real-time performance with analog equipment.
Kate Rissiek is a Vancouver based artist performing under the name Rusalka since 2007. Employing theremin and other electronics, Rusalka achieves visceral and, at times, abrasive sounds in her exploration of subconscious states and the dark recesses of human nature. A struggle between filth and transcendence occurs which stirs together crude dirt based electronics and an ethereal electromagnetic grasp for emergence. Her recent work often features subtle, yet profound, shifts in mood, timbre, and focus demonstrating a fervent refusal to clearly delineate between introspection and observation.
In a rattling cauldron of monastic oscillations and swirling dune-bound synth melodies, Sisters of Seance follows a herd of cloaked necromancers along the desert of cultic massacre and into a field of floating temples. Set to cinematic visuals while using a range of synths and acoustic persian instrumentation, Luke Rogers’ compositions are hypnotic and heady.
Colonizer comes from Daniel Presnell, otherwise of Astral Blessing, Von Bingen, Hildegaard. For several years many of Presnell’s projects were undertaken with his wife Jenni Pace, but Colonizer continues a recent streak outside that dynamic, beginning in 2011 with a No UFO’s 12″ for Public Information and a “guitar” credit on the experimental V Vecker’s Ensembles‘ 12″ for Canada’s Majorly imprint.
John Brennan is a sound artist and drummer living and practicing on the unceded territories of the Musqueam, Squamish and Tsleil-Waututh First Nations. Parallel to his practice as a musician, he produces sound installations that consider the relationship between the sonic memory of musical instruments, performance and improvisation. His band Kamikaze Nurse is currently recording their second full-length album, Stimuloso (2021)Mint Records. Other recent sound projects include: MO-DALE (a duo with Justin Patterson) and Last Lost Time with Gabi Dao and Elisa Ferrari. He curated Destroy Vancouver (2012-2016), a quarterly improvised music and sound art series produced by VIVO Media Arts Centre. He has presented work through Vancouver New Music, Vancouver Coastal Jazz, Western Front (Vancouver), Nanaimo Art Gallery, BEK (Bergen), Landmark (Bergen), No IDea Festival (Austin), Suoni per il Popolo (Montreal) and MUTEK (Montreal).
Other collaborators include Chris Corsano, Raven Chacon, John Dieterich, Katerina Ernst, Jacob Audrey Taves, William Hooker, DJ Olive, Greg Saunier, Marshall Trammell, Nate Wooley, and many more.