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Inspire your media art practice with non-Western history, art, science, and philosophy with media theorist Farshid Kazemi.
Sign up: https://crosscultural-with-farshid.eventbrite.ca
Registration closes Nov 5, 4pm
6 hours total, over 3 sessions, online // $66, or $45 for members
** By donation for those facing reduced income due to COVID-19
Session 1: Thu Nov 12 7pm - 9pm
Session 2: Thu Nov 19, 7pm - 9pm
Session 3: Thu Nov 26, 7pm - 9pm
Listed times are Pacific Time
Prerequisites:
How do your questions, process, and aesthetics change if you re-imagine technology itself as having roots in, for example, Islamic culture? Chinese culture? Indigenous culture?
This discussion-based workshop is intended to enrich your creative process and approach to media art by drawing inspiration from the particular histories, arts, sciences, philosophies, and everyday practices of so-called non-western cultures, using a method Laura Marks of the Substantial Motion Network developed for identifying Islamic roots of media art.
Bring your project ideas to the group, and discuss ways to explore your work-in-progress through specific cultural lenses. You'll study examples, and revise your own project ideas based on the feedback you receive from the instructors and other participants. The instructor Farshid Kazemi will present examples from Persian and Islamic cultures. Between each session, you'll continue researching, editing, and refining your project for further feedback with the group.
Looking for more like this? Sign up for this same workshop led by Siying Duan to explore examples from Chinese cultures. It takes place weeks before this workshop: https://crosscultural-with-siying.eventbrite.ca
VIVO is located in the homelands of the xʷməθkʷəy̓əm (Musqueam) Sḵwx̱wú7mesh (Squamish), and səl̓ílwətaɬ (Tsleil-Waututh) peoples in a warehouse space at 2625 Kaslo Street south of East Broadway at the end of E 10th. Transit line 9 stops at Kaslo Street on Broadway. From the bus stop, the path is paved, curbless, and on a slight decline. The closest skytrain station is Renfrew Station, which is three blocks south-east of VIVO and has an elevator. From there, the path is paved, curbless, and on a slight incline. There is parking available at VIVO, including wheelchair access parking. There is a bike rack at the entrance. The front entrance leads indoors to a set of 7 stairs to the lobby.
A wheelchair ramp is located at the west side of the main entrance. The ramp has two runs: the first run is 20 feet long, and the second run is 26 feet. The ramp is 60 inches wide. The slope is 1:12. The ramp itself is concrete and has handrails on both sides. There is an outward swinging door (34 inch width) at the top of the ramp leading to a vestibule. A second outward swinging door (33 inch width) opens into the exhibition space. Buzzers and intercoms are located at both doors to notify staff during regular office hours or events to unlock the doors. Once unlocked, visitors can use automatic operators to open the doors.
There are two all-gender washrooms. One has a stall and is not wheelchair accessible. The other is a single room with a urinal and is wheelchair accessible: the door is 33 inches wide and inward swinging, without automation. The toilet has 11 inch clearance on the left side and a handrail.
To reach the bathrooms from the studio, exit through the double doors and proceed straight through the lobby and down the hall . Turn left, and the two bathrooms will be on your right side. The closest one has a stall and is not wheelchair accessible. The far bathroom is accessible.
Farshid Kazemi is a postdoc fellow at the School for Contemporary Arts, Simon Fraser University. His research interests combine an interdisciplinary and theoretical approach to Film and Media Studies/Film Theory, Iranian Studies, and Islamic and Middle Eastern Studies. He received his Ph.D. from the University of Edinburgh, with a thesis on Iranian Cinema and Psychoanalysis. He has published several articles and book chapters on Iranian cinema, psychoanalytic film theory/feminist film theory, and Iranian and Islamic studies more broadly.
