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Invasive Systems is Curiosity Collider's three-day interactive festival exploring the influences of ecology, technology, & infrastructure on our inner and outer lives. The workshop, performances and installations that comprise the festival examine how we can understand our observations from both scientific and artistic perspectives -are these influences desirable, inevitable or preventable?
Picture this – a world where AI invades human creativity, bacteria invade our brains, and invisible technological signals penetrate all natural environments. Where invasive species from plants to humans transform spaces where they don’t belong, technology infiltrates every aspect of our daily lives, and the waste of human inventions ravages our natural environments.
That world is here, and the time is now. Can we recognize and better understand how these invasive systems transform or become part of our world? Through visual art, multimedia installations, and interactive experiences, join artists and scientists at “Collisions Festival: Invasive Systems” to explore the delicate and complicated nature of how both living and inanimate things redefine our lives and environments.
This weekend festival includes an art-science exhibition, a hands-on workshop (Sat, separate registration required), and guided discussions and tours by the curator (Sat/Sun). It will showcase collaborative works by three artist/scientist pairs, and independent works by six artists. Opening reception will be on Friday, November 8 starting at 7pm; curator’s remarks and performance by Edzi’u at 7:30pm and 9pm.
This festival is curated by Char Hoyt, Creative Director of Curiosity Collider
Artist/Scientist Collabs: Laara Cerman & Scott Pownall, Dzee Louise & Linda Horianopoulos, Kathryn Wadel & Garth Covernton
Participating Artists: Christian Dahlberg, Chris Dunnett, Edzi’u, Twyla Exner, Joanne Hastie, Katrina Wong.
More information as well as ticket prices can be found on Curiosity Collider's website: https://curiositycollider.org/collisions-festival-invasive-systems/
VIVO is located in the homelands of the xʷməθkʷəy̓əm (Musqueam) Sḵwx̱wú7mesh (Squamish), and səl̓ílwətaɬ (Tsleil-Waututh) peoples in a warehouse space at 2625 Kaslo Street south of East Broadway at the end of E 10th. Transit line 9 stops at Kaslo Street on Broadway. From the bus stop, the path is paved, curbless, and on a slight decline. The closest skytrain station is Renfrew Station, which is three blocks south-east of VIVO and has an elevator. From there, the path is paved, curbless, and on a slight incline. There is parking available at VIVO, including wheelchair access parking. There is a bike rack at the entrance. The front entrance leads indoors to a set of 7 stairs to the lobby.
A wheelchair ramp is located at the west side of the main entrance. The ramp has two runs: the first run is 20 feet long, and the second run is 26 feet. The ramp is 60 inches wide. The slope is 1:12. The ramp itself is concrete and has handrails on both sides. There is an outward swinging door (34 inch width) at the top of the ramp leading to a vestibule. A second outward swinging door (33 inch width) opens into the exhibition space. Buzzers and intercoms are located at both doors to notify staff during regular office hours or events to unlock the doors. Once unlocked, visitors can use automatic operators to open the doors.
There are two all-gender washrooms. One has a stall and is not wheelchair accessible. The other is a single room with a urinal and is wheelchair accessible: the door is 33 inches wide and inward swinging, without automation. The toilet has 11 inch clearance on the left side and a handrail.
To reach the bathrooms from the studio, exit through the double doors and proceed straight through the lobby and down the hall . Turn left, and the two bathrooms will be on your right side. The closest one has a stall and is not wheelchair accessible. The far bathroom is accessible.
Char Hoyt is a Vancouver-based professional artist and curator. She graduated from Emily Carr University in 1997 with a Diploma in Fine Arts and completed her BFA in 2019 with a Curatorial Minor. Around 2007 Hoyt discovered a love for science and has used her paintings to explore some of the deepest mysteries of modern physics. She has expanded and honed her project management skills in the local film industry working as a Production Designer and Art Director on various projects since 2011. In 2015, Hoyt gave a public talk about the merger of art and science in her work. This pivotal moment led to her role as a co-founder of the Vancouver-based non-profit Curiosity Collider Art-Science Foundation that same year.
As the lead curator and creative director for the Curiosity Collider, Hoyt enjoys challenging herself to create new experiences for diverse audiences that communicate her passion for the connections between the worlds of art and science.
