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Capture Photography Festival & VIVO Media Arts Centre present:
Ignite your own visual storytelling style with cinematographer Devan Scott!
This multi-day workshop will enable you to make better use of your camera and lighting gear to enrich your storytelling with a deepened understanding of the theory and practice of cinematography.
Back by high demand. Limited space; please don’t wait to sign up!
2 sessions, 12 hours total // $170, or $125 with any VIVO Producer Membership (+GST)
Session 1: Sat, Feb 23, 12pm-6pm
Session 2: Sun, Feb 24, 12pm-6pm
One extended subsidy for this workshop available:
https://goo.gl/forms/7uDbqqvQE8xxiVno1
Prerequisite: Participants must have basic knowledge of rudimentary camera operation, such as exposure and focus, though a very brief review will be provided. Participants seeking an introduction to rudimentary camera operation should consider taking VIVO’s Camera Lights Sound workshop.
Each session combines visual studies with hands-on studio experience. You’ll analyze specific styles, such as those used by Roger Deakins (BLADE RUNNER 2049), Gregg Toland (CITIZEN KANE), Gordon Willis (THE GODFATHER), Christopher Doyle (CHUNGKING EXPRESS), Subrata Mitra (PATHER PANCHALI), and others have developed over time, and how different cinematographers approach the question of how their movies will look.
You’ll examine visual idioms from different eras and genres of cinema history in group discussion; from the grit of ’70s New Hollywood to the naturalist lighting of the British documentary filmmakers to the slick modern masters, and participate in a series of exercises wherein you will get to experience first-hand how these styles of lighting and shooting are undertaken in a studio setting. Learn techniques such as frame composition, lighting, colour coordination, depth of focus, camera movement, and focal length selection.
VIVO is located in the homelands of the xʷməθkʷəy̓əm (Musqueam) Sḵwx̱wú7mesh (Squamish), and səl̓ílwətaɬ (Tsleil-Waututh) peoples in a warehouse space at 2625 Kaslo Street south of East Broadway at the end of E 10th. Transit line 9 stops at Kaslo Street on Broadway. From the bus stop, the path is paved, curbless, and on a slight decline. The closest skytrain station is Renfrew Station, which is three blocks south-east of VIVO and has an elevator. From there, the path is paved, curbless, and on a slight incline. There is parking available at VIVO, including wheelchair access parking. There is a bike rack at the entrance. The front entrance leads indoors to a set of 7 stairs to the lobby.
A wheelchair ramp is located at the west side of the main entrance. The ramp has two runs: the first run is 20 feet long, and the second run is 26 feet. The ramp is 60 inches wide. The slope is 1:12. The ramp itself is concrete and has handrails on both sides. There is an outward swinging door (34 inch width) at the top of the ramp leading to a vestibule. A second outward swinging door (33 inch width) opens into the exhibition space. Buzzers and intercoms are located at both doors to notify staff during regular office hours or events to unlock the doors. Once unlocked, visitors can use automatic operators to open the doors.
There are two all-gender washrooms. One has a stall and is not wheelchair accessible. The other is a single room with a urinal and is wheelchair accessible: the door is 33 inches wide and inward swinging, without automation. The toilet has 11 inch clearance on the left side and a handrail.
To reach the bathrooms from the studio, exit through the double doors and proceed straight through the lobby and down the hall . Turn left, and the two bathrooms will be on your right side. The closest one has a stall and is not wheelchair accessible. The far bathroom is accessible.
Devan Scott’s passion for visual storytelling has led to a portfolio of work as a director, cinematographer, and colourist that has been growing ever since.
