Hazel Meyer’s work with installation, performance, and text investigates the relationships between sport, sexuality, feminism, and material culture.
Hazel Meyer works with installation, performance, and text to investigate the relationships between sexuality, feminism, and material culture. Her work aims to recover the queer aesthetics, politics, and bodies often effaced within histories of infrastructure, athletics and illness. Drawing on archival research, she designs immersive installations that bring various troublemakers—lesbians-feminists, gender outlaws, leather-dykes—into a performative space that centres desire, queerness, and sweat.
Hazel presently lives in Vancouver, on the unceded traditional territories of the xʷməθkwəy̓əm, Skwxwú7mesh and Səl̓ílwətaɬ Nations with her frequent collaborator and partner Cait McKinney and dog Regie.